Green new deal
Green new deal
Bentley builds a 100th-birthday concept that’s full of hope
for the company and for the planet
Bentley builds a 100th-birthday concept that’s full of hope
for the company and for the planet
Most
100-year-olds spend their time reminiscing about the life they’ve led and the
impact they’ve made on the world. Not Bentley. With its new EXP 100 GT, it’s
looking firmly ahead. While it may just be a concept,
this 5.8m-long, up-to-four-seat grand tourer (with scissor doors that are longer than a Renault Twingo) is an early nod to a future all-electric autonomous Bentley.
‘As with all birthdays, it’s a chance to celebrate where you are now and how you got there,’ says exterior design head JP Morgan. ‘This is a car that honours our past, and a beacon for us in the future.’
It’s still clearly a Bentley to look at, with so many design cues from current and past models. ‘There are subtle abstract references to cars from our history like the Continental R-Type and S1 Flying Spur, but what I love is that you don’t see it immediately,’ says Morgan. ‘Nothing on this car looks retro, but the more you look at it you notice that it’s inspired by something we care about.’
Losing a big internal combustion engine from
the nose means the cab area can be located much more
centrally. That gives a more balanced silhouette, with a shorter bonnet, and
those traditional muscular haunches aren’t impinging on the
passenger space. Rear pillars plated in recycled copper conceal some
clever aerodynamics, enabling the EXP 100 GT to do without a
spoiler. Even the wheels are active, changing their shape to focus on
aero or cooling.
A cut-glass-effect acrylic panel (similar to
the headlight lenses in a Conti GT)
flows across the whole of the front grille and blends into the headlights as one piece. It’s all backlit with LEDs, too, as Bentley uses both natural and digital light to full
advantage.
‘In autonomous mode it’s a communication device, the moment you go into driving mode the focus shifts to the main beam. Drive or be driven, see or be seen,’ adds Morgan.
When the car is switched on, the grille pulses
to life with light in a movement that continues to the rear, passing
through the new illuminated Flying B and finishing with the
OLED displays in the rear end, hidden beneath the paintwork, as the
rear animates in a way that mirrors the front grille’s LEDs.
When you get inside that cabin, it’s a feast of
tech and ultraexclusive materials. When the car is in autonomous mode the front two seats can slide back for their
occupants to stretch out.
‘We are still using wood, leather and metal,’
says interior design chief Brett Boydell, ‘but the material strategy
in this car has been quite deliberate.’ The interior tub itself is
lined in a sustainable cotton blend from Suffolk’s Gainsborough Silk,
while Scotland’s Bridge of Weir has supplied a leather with
minimal chemical enhancements. While that is a by-product of the
meat industry, alternatives include a vegan leather-style
fabric for the retractable rear seats made using pulp from the wine
industry.
Air pockets are incorporated into the seats,
too; ‘With our diamond quilting, we haven’t just brushed it
aside and reinvented from scratch,’ says Boydell. ‘There’s an
intelligence to the design, where the car will biometrically know who you
are and adapt the seating style. Each of the diamonds is an
individual air cell – a technology that we’re developing now.’
Wood that’s been dredged up from 5000-year-old
river beds – no, really: it’s carbon dated to 3300 BC –
has to be the most extreme material used inside. It’s been milled
into a lattice in the rear pillars and layered into the structure of
the seat supports and centre console. ‘We’ve taken a 5000-year-old
material, combined it with some advanced technology and recycled
that into something that’s gorgeous. It’s also rare – 10 times the price of
normal oak – but it’s given something really
spectacular as a result.’
Artificial intelligence hubs for Bentley’s
Personal Assistant are fashioned from layered Cumbria Crystal and give
the occupants a focal point for accessing vehicle information.
A ‘Capture’ function involves the AI logging
sounds, sights and smells for the user to experience at a later
date, reliving a moment they particularly enjoyed. Along with ‘Capture’,
‘Enhance’ boosts light, cherrypicks sounds like birdsong and
pumps inside smells from outside to give the feeling of driving
with the roof down, while ‘Cocoon’ blocks the outside world by
purifying the air and turning the glass panels opaque.
When you do feel like driving yourself, you’ll
find the EXP 100 punches like a Bentley GT should. Crewe says
the powertrain can get you to 62mph in under 2.5 seconds and on to
186mph. Four electric motors crank out a total of 1106lb ft,
while solid-state batteries mean a 435 mile claimed range and an 80 per cent
charge in 15 minutes. Not bad for 1900kg of ancient wood,
grape skins and artificial intelligence.
IT’S NO PIPE DREAM
C O N C E P T ?
N O T E N T I R E L Y . . .
You might be
tempted to write the EXP 100 GT off as fanciful, but the team at Crewe are
adamant that this isn’t just a designer doodle;
serious R&D resource has been invested.
Boydell says the car is ‘a stake in the ground
for where we want to be in the future. There
are roadmaps that are supporting each of the principles that we’re showing.’
Morgan adds: ‘Our engineers have mapped
out until 2035. Every one of the ideas we’ve
played with here has some sort of integrity against that. It’s either stuff we’re
developing for upcoming cars at Bentley
or something that is an extrapolation of tech
that we know we can deliver. None of it is fluff; it’s
something we believe is right for the
brand.
‘Our rotating display is a bit of luxury
theatre, but for me it’s more than
that, as it puts different things
as a priority. Luxury customers don’t want
to be surrounded by info, they want to be surrounded by beautiful materials, but the tech
has to be there when they need it.
‘It’s no secret that we want to deliver our
first EV by 2025, so it’s no
stretch that by 2035 a car like
this could be real.’
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